scenester tracking
Tracking the cultural affections of scenesters has been an interest of mine for as long as I can remember. Boyhood trips to the nearby record shop were driven observational interests. Sure I'd buy stuff, but what I really wanted was to figure out what people were into. This was much easier in the early 80's. The record shop guys didn't change the decorations or the sounds very often. The radio station didn't add new artists. The initial shock and awe that was my first 8 hours in front of MTV, though traumatic, had a strengthening effect. My first post-MTV trip to the record store would be a revelatory experience. The record clerks that I had held in high esteem, lording over the marantz and perched on their raised checkout counter, were totally confounded by my new requests. On its face it seemed like disinterest or condescension, but looking back I think they knew they were vulnerable. "Who the fuck is U2? What's it called, Boy? We don't sell shit like that. REO Speedwagon"Good Trouble" - that's a killer release. Cultural trends and tastes move with unimaginable velocity today. "Fifteen minutes" may have seemed fleeting in 1968, but those numbers practically constitute a movement when you consider the cultural attention span and high-speed acquisition of knowledge of today.
"I'm losing my edge to the Internet seekers who can tell me every member of every good group.." james murphy
"I'm losing my edge to the Internet seekers who can tell me every member of every good group.." james murphy